The Best Chocolate You’ve Never Tasted

15/07/2016 20:28

 

 
Marou founders Vincent Mourou (left) and Samuel Maruta taste the cacao pods, which are brightly colored on the outside. Justin Mott

The world’s most exquisite bars are being made in a garage in Ho Chi Minh City.

There is nothing unusual, not in this era, about being a tiny, artisanal, single-origin chocolate maker. But the artisanal, award-winning chocolate I’ve come to see is being manufactured by a tiny operation called Marou in a factory on the outskirts of Ho Chi Minh City, with beans that were hand-picked on a skinny strip of an island called Tan Phu Dong in the Mekong Delta.

 

Vietnamese chocolate is unlike any other. It’s made mostly from a bean called trinitario, an 18th-century blend of forastero — the high-yield bean now used by Big Chocolate — and the rarer, more nuanced criollo. Marou’s chocolate has a particular complexity and variability, because unlike most chocolate makers, they can create theirs from beans they select at the source. This means they have control of everything, from farm to bar. The result is chocolate with unusual aromas — licorice, say, or tobacco.

Photo
 
A worker at the suburban Ho Chi Minh City factory. Justin Mott
 

The company was founded in 2011 by a Franco-Japanese named Samuel Maruta, who first came to Vietnam as a schoolteacher, and Vincent Mourou, a Franco-American former advertising executive. ‘‘We make a very French chocolate as far as technique goes,’’ Maruta told me in Ho Chi Minh City. ‘‘Most Vietnamese like much sweeter, blander chocolate. But as far as the raw material goes, it’s also distinctly Vietnamese.’’

 

That morning, Maruta and I set off to see where the beans that supply Marou’s Tan Phu Dong 85% and Treasure Island 3/4 were grown. We drove three hours south into the Mekong Delta — past flat, baked land dotted with farmhouses and paddies — to visit Tan Phu Dong island. It’s here that Pham Thanh Cong, one of Marou’s suppliers, has his cacao plantation. Cong made us lunch, and then we tasted some of his raw fermented beans. The brightly colored ­cacao pod, when sliced open, looks like a mangosteen, with a cluster of seeds coated with a sweet white membrane. The seeds are fermented for six days in wooden crates, and then dried in the sun on bamboo mats. From here, the ones that Maruta and Mourou select are taken back to their factory in a quiet, anonymous suburb of Ho Chi Minh City. Then they’re roasted, shucked from their husks and ground into a paste that is heated and mixed with sugar until it forms a fine liquid that fills the air with a beautiful toasty aroma. This liquid is whisked and spooled for about two days before being poured into molds, cooled and wrapped.

Photo
 
Marou’s signature chocolate, right, alongside the brand’s seal. Justin Mott
 

The chocolate from Tan Phu Dong had a bright freshness to it, and tasted a bit like hazelnuts: creamy and intensely dark. But when I offered some to Cong, he shook his head. ‘‘Don’t like it,’’ he said, as Maruta had predicted he might. ‘‘Too dark and sour for me.’’

 

And there it was: a reminder that serious chocolate (so to speak) hasn’t quite caught on in Vietnam yet. I, however, took 20 bars back home to Bangkok: They might not be appreciated in their birthplace, but they were coming with me.

By Lawrence Osborne

Photo
 
Marou founders Vincent Mourou (left) and Samuel Maruta taste the cacao pods, which are brightly colored on the outside. CreditJustin Mott

The world’s most exquisite bars are being made in a garage in Ho Chi Minh City.

There is nothing unusual, not in this era, about being a tiny, artisanal, single-origin chocolate maker. But the artisanal, award-winning chocolate I’ve come to see is being manufactured by a tiny operation called Marou in a factory on the outskirts of Ho Chi Minh City, with beans that were hand-picked on a skinny strip of an island called Tan Phu Dong in the Mekong Delta.

 

Vietnamese chocolate is unlike any other. It’s made mostly from a bean called trinitario, an 18th-century blend of forastero — the high-yield bean now used by Big Chocolate — and the rarer, more nuanced criollo. Marou’s chocolate has a particular complexity and variability, because unlike most chocolate makers, they can create theirs from beans they select at the source. This means they have control of everything, from farm to bar. The result is chocolate with unusual aromas — licorice, say, or tobacco.

Photo
 
A worker at the suburban Ho Chi Minh City factory. CreditJustin Mott
 

The company was founded in 2011 by a Franco-Japanese named Samuel Maruta, who first came to Vietnam as a schoolteacher, and Vincent Mourou, a Franco-American former advertising executive. ‘‘We make a very French chocolate as far as technique goes,’’ Maruta told me in Ho Chi Minh City. ‘‘Most Vietnamese like much sweeter, blander chocolate. But as far as the raw material goes, it’s also distinctly Vietnamese.’’

 

That morning, Maruta and I set off to see where the beans that supply Marou’s Tan Phu Dong 85% and Treasure Island 3/4 were grown. We drove three hours south into the Mekong Delta — past flat, baked land dotted with farmhouses and paddies — to visit Tan Phu Dong island. It’s here that Pham Thanh Cong, one of Marou’s suppliers, has his cacao plantation. Cong made us lunch, and then we tasted some of his raw fermented beans. The brightly colored ­cacao pod, when sliced open, looks like a mangosteen, with a cluster of seeds coated with a sweet white membrane. The seeds are fermented for six days in wooden crates, and then dried in the sun on bamboo mats. From here, the ones that Maruta and Mourou select are taken back to their factory in a quiet, anonymous suburb of Ho Chi Minh City. Then they’re roasted, shucked from their husks and ground into a paste that is heated and mixed with sugar until it forms a fine liquid that fills the air with a beautiful toasty aroma. This liquid is whisked and spooled for about two days before being poured into molds, cooled and wrapped.

Photo
 
Marou’s signature chocolate, right, alongside the brand’s seal. CreditJustin Mott
 

The chocolate from Tan Phu Dong had a bright freshness to it, and tasted a bit like hazelnuts: creamy and intensely dark. But when I offered some to Cong, he shook his head. ‘‘Don’t like it,’’ he said, as Maruta had predicted he might. ‘‘Too dark and sour for me.’’

 

And there it was: a reminder that serious chocolate (so to speak) hasn’t quite caught on in Vietnam yet. I, however, took 20 bars back home to Bangkok: They might not be appreciated in their birthplace, but they were coming with me.

 

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